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	<title>Comments on: Hey, Jude.</title>
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	<link>http://ryantrauman.com/traumanblog/2009/04/13/hey-jude/</link>
	<description>Learning to Live With My Own Reflections. Trauman&#039;s Blog.</description>
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		<title>By: trauman</title>
		<link>http://ryantrauman.com/traumanblog/2009/04/13/hey-jude/comment-page-1/#comment-2847</link>
		<dc:creator>trauman</dc:creator>
		<pubDate>Fri, 17 Apr 2009 21:55:37 +0000</pubDate>
		<guid isPermaLink="false">http://ryantrauman.com/traumanblog/?p=249#comment-2847</guid>
		<description>Really, there&#039;s two things. First, the melody. My body responds to it. There&#039;s something effective about the mood and the tender imperative. 

&quot;Don&#039;t make it bad. Take sad song and make it better.&quot; and &quot;Don&#039;t be afraid.&quot; 

The thing is, I am afraid. I&#039;m afraid of lot&#039;s of stuff. And having someone so beautifully, so tenderly, tell me these things. It works for at least the moment I&#039;m listening to the song. 

Maybe it&#039;s that parental voice I long for. I don&#039;t know. 

You&#039;re right, though, it&#039;s all those things Paul&#039;s asking him to let in. Cause he can see the pain coming for Julian. But he knows there&#039;s enough there to expand that to a public sentiment. 

And I&#039;m part of that private public. With my headphones on, trying for the strength and courage to take his advice.

And it&#039;s more sad, now that I feel myself less willing to let &quot;her&quot; into my heart. (The her, in the sense you&#039;ve articulated it.)

Great post, Amway.

T.


All this to a melody. A Beatles melody. The best kind.</description>
		<content:encoded><![CDATA[<p>Really, there&#8217;s two things. First, the melody. My body responds to it. There&#8217;s something effective about the mood and the tender imperative. </p>
<p>&#8220;Don&#8217;t make it bad. Take sad song and make it better.&#8221; and &#8220;Don&#8217;t be afraid.&#8221; </p>
<p>The thing is, I am afraid. I&#8217;m afraid of lot&#8217;s of stuff. And having someone so beautifully, so tenderly, tell me these things. It works for at least the moment I&#8217;m listening to the song. </p>
<p>Maybe it&#8217;s that parental voice I long for. I don&#8217;t know. </p>
<p>You&#8217;re right, though, it&#8217;s all those things Paul&#8217;s asking him to let in. Cause he can see the pain coming for Julian. But he knows there&#8217;s enough there to expand that to a public sentiment. </p>
<p>And I&#8217;m part of that private public. With my headphones on, trying for the strength and courage to take his advice.</p>
<p>And it&#8217;s more sad, now that I feel myself less willing to let &#8220;her&#8221; into my heart. (The her, in the sense you&#8217;ve articulated it.)</p>
<p>Great post, Amway.</p>
<p>T.</p>
<p>All this to a melody. A Beatles melody. The best kind.</p>
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		<title>By: Amy Wright</title>
		<link>http://ryantrauman.com/traumanblog/2009/04/13/hey-jude/comment-page-1/#comment-2846</link>
		<dc:creator>Amy Wright</dc:creator>
		<pubDate>Thu, 16 Apr 2009 16:15:28 +0000</pubDate>
		<guid isPermaLink="false">http://ryantrauman.com/traumanblog/?p=249#comment-2846</guid>
		<description>I know Paul wrote it for Julian, so I always hear Jules, and then that little boy in a bedroom being sung to as me, being advised. I hear him asking me to open up to let &quot;her&quot; in, meaning love, anger, fear. What life is.

Why does it make you cry you think?</description>
		<content:encoded><![CDATA[<p>I know Paul wrote it for Julian, so I always hear Jules, and then that little boy in a bedroom being sung to as me, being advised. I hear him asking me to open up to let &#8220;her&#8221; in, meaning love, anger, fear. What life is.</p>
<p>Why does it make you cry you think?</p>
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